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<oembed><version>1.0</version><provider_name>S&#xE9;minaire : Pens&#xE9;e et Culture</provider_name><provider_url>https://penseeetculture.ca/fr</provider_url><author_name>admin</author_name><author_url>https://penseeetculture.ca/fr/author/admin/</author_url><title>A Noisy Brush with the Infinite: Noise in Enfolding-Unfolding Aesthetics - S&#xE9;minaire : Pens&#xE9;e et Culture</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="IXrLMXkrcy"&gt;&lt;a href="https://penseeetculture.ca/fr/archive/2012-13-conferences/laura-marks/"&gt;A Noisy Brush with the Infinite: Noise in Enfolding-Unfolding Aesthetics&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://penseeetculture.ca/fr/archive/2012-13-conferences/laura-marks/embed/#?secret=IXrLMXkrcy" width="600" height="338" title="&#xAB;&#xA0;A Noisy Brush with the Infinite: Noise in Enfolding-Unfolding Aesthetics&#xA0;&#xBB; &#x2014; S&#xE9;minaire : Pens&#xE9;e et Culture" data-secret="IXrLMXkrcy" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>This talk considers &#x2018;noise&#x2019; in light of a model I call enfolding-unfolding aesthetics, a set of relationships between image, information, and infinite that explains how certain things arrive to our perception (image) from the universe (infinite) and others do not. According to this model, the infinite is inaccessible to perception and appears as noise: our [&hellip;]</description></oembed>
