{"version":"1.0","provider_name":"S\u00e9minaire : Pens\u00e9e et Culture","provider_url":"https:\/\/penseeetculture.ca\/fr","author_name":"admin","author_url":"https:\/\/penseeetculture.ca\/fr\/author\/admin\/","title":"A Noisy Brush with the Infinite: Noise in Enfolding-Unfolding Aesthetics - S\u00e9minaire : Pens\u00e9e et Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"CYwT9SJkQe\"><a href=\"https:\/\/penseeetculture.ca\/fr\/archive\/2012-13-conferences\/laura-marks\/\">A Noisy Brush with the Infinite: Noise in Enfolding-Unfolding Aesthetics<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/penseeetculture.ca\/fr\/archive\/2012-13-conferences\/laura-marks\/embed\/#?secret=CYwT9SJkQe\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0A Noisy Brush with the Infinite: Noise in Enfolding-Unfolding Aesthetics\u00a0\u00bb &#8212; S\u00e9minaire : Pens\u00e9e et Culture\" data-secret=\"CYwT9SJkQe\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/penseeetculture.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"This talk considers \u2018noise\u2019 in light of a model I call enfolding-unfolding aesthetics, a set of relationships between image, information, and infinite that explains how certain things arrive to our perception (image) from the universe (infinite) and others do not. According to this model, the infinite is inaccessible to perception and appears as noise: our [&hellip;]"}